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Friday, 1 June 2012

Blog 5: Locovisual


Catholic Church of St Gerard

 In his three part critique on architecture ‘The Stones of Venice’ John Ruskin tried to recuperate the general publics and the design and architecture communities respect for the Gothic style of architecture. He claimed that its flaws (it was commonly referred to as a barbaric and simple form of design) were one of its most redeeming qualities. He believed this was because it meant that the workers had freedom to do their work how they wished, and that this was a timeless metaphor for the social conditions of the era. He believed that the uniform design of his time (nineteenth century) represented the exact opposite of this and wished for a social change, sparking the beginning of the gothic revival period. This is a perfect parallel to St Gerard’s Catholic Church and Monastery in Wellington. This church was built in 1908 during the final years of the Gothic revival period and shows many of the standard Gothic motifs of the time such as high pointed arches, oak and other floral themes and high ceilings. It was built for the Redemptorists, a Christian sect that took Jesus’ message of “Love one another as I have loved you” to action and wished to lift the social conditions of not just third world countries but also the poorer parts of developed societies, just as John Ruskin did. In the book ‘Living Architecture: Gothic’ the Author Hans H. Hofstatter claims “we now understand the Gothic as a mighty synthesis of the new attitude of the Christian faith and architectural technique” further supporting the idea that Gothism was the face of ‘good’ ‘honest’ Christianity and 'good' 'honest' design.


John Ruskin, "The Nature of Gothic." excerpted in German, C. (2003) The Industrial Design Reader (pp.18-20). New York: Allworth Press.

Hofstatter, H. H. (1970). Living Architecture: Gothic. New York, USA: Grosset & Dunlap Inc.

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